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At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.

Philip was at this time engaged in the siege of Athens, which had joined Attalus and the Rhodians. The Consul Galba crossed over to Epirus, and Athens was relieved by a Roman fleet; but before he withdrew, Philip, prompted by anger and revenge, displayed his barbarism by destroying the gardens and buildings in the suburbs, including the Lyecum and the tombs of the Attic heroes; and in a second incursion which he made with large re-enforcements he committed still greater excesses. For some time, however, the war lingered on without any decided success on either side. The Consul Villius, who succeeded Galba in B.C. 199, effected nothing of importance, and it was not till the appointment of the Consul T. Quinctius Flamininus to the command that the war was earned on with energy and vigor (B.C. 198).


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