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Gallegico Directory 03
Page 03
It may be that the barons believed they were demanding nothing in the Great Charter that had not been granted by former kings or that the king was not bound by the law to observe. It may be possible to prove that this belief was historically correct in principle if not in specific form; but the king could not be expected to take the same view of the case. He had been compelled to renounce many things that he had been doing through his whole reign, and some things, as he very well knew, that had been done by his father and brother before him. He may honestly have believed that he had been forced to surrender genuine royal rights. He certainly knew that if he faithfully kept its provisions, the task of raising the necessary money to carry on the government, already not easy, would become extremely difficult if not impossible. It is not likely that John promised to be bound by the charter with any intention of keeping his promise. He had no choice at the moment but to yield, and if he yielded, the forces of the barons would probably scatter, and the chances favour such a recovery of his strength that with the help of the pope he could set the charter aside. At first nothing could be done but to conform to its requirements, and orders were sent throughout the country for the taking of the oath in which all men were to swear to obey the twenty-five barons appointed guardians of the charter. Juries were to be chosen to inquire into grievances, and some of the foreign troops were sent home. Suspicions began to be felt, however, in regard to the intentions of the king during the negotiations concerning details which followed the signing of the charter. A council called to meet at Oxford about the middle of July, he refused to attend. Nor were provocations and violations of the spirit of the charter wanting on the part of the barons. Certain of the party, indeed, "Trans-Humbrians" they are called, probably the extreme enemies of the king, had withdrawn from the conference at Runnymede, and now refused to cease hostilities because they had had no part in making peace. The royal officers were maltreated and driven off, and the king's manors plundered.
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
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