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Then again there seem to me to be some simply coarse, obscene, unpleasant passages, not of relentless realism but of dull inquisitiveness. They do not attract or impress; they do not provide a contrast or an emphasis. They simply lie, like piles of filth, in rooms designed for human habitation. If it is argued that art may use any materials, I can only fall back upon my belief that such passages are as instinctively repulsive to the artistic sense as strong-smelling cheeses stacked in a library! There is no moral or ethical law against such a practice; but the aesthetic conscience of humanity instinctively condemns it. When I examine the literature which has inspired and attracted the minds of humanity, whether trained or untrained, I find that they avoid this hideous intrusion of nastiness; and I am inclined to infer that writers who introduce such episodes, and readers who like them, have some other impulse in view, which is neither the sense of beauty nor the perception of art. But if Whitman, or anyone else, can convert the world to call this art, and to enjoy it as art, then he will prove that he understands the law of preference better than I do.

They waited a few minutes, and as no one appeared, the driver went in search of the boatmen, saying a few extra shillings would make it all right with them. And while he was gone the stranger paced nervously and with rapid steps up and down, every few seconds pausing at the pier-head and looking intently in the direction of Nyack. Was it joy he anticipated, or disappointment he feared? Something was agitating his heart and filling his eyes with tears, for he several times turned his head and wiped them away. And yet the more he watched in the direction of Nyack, the more restless and impatient he became.


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