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Gallegico Directory 09
Page 10
At first Dutch art was influenced, even confounded, with that of Flanders. The Van Eycks led the way, and painters like Bouts and others, though Dutch by birth, became Flemish by adoption in their art at least. When the Flemish painters fell to copying Italy some of the Dutch followed them, but with no great enthusiasm. Suddenly, at the beginning of the seventeenth century, when Holland had gained political independence, Dutch art struck off by itself, became original, became famous. It pictured native life with verve, skill, keenness of insight, and fine pictorial view. Limited it was; it never soared like Italian art, never became universal or world-embracing. It was distinct, individual, national, something that spoke for Holland, but little beyond it.
The struggle which follows exhibits, as nothing else could do so well, the tremendous power of the Norman feudal monarchy, the absolute hold which it had on state and nation even on the verge of its fall. John had not ruled during these eight years in such a way as to strengthen his personal position. He had been a tyrant; he had disregarded the rights of batons as well as of clergy; he had given to many private reasons of hatred; he had lost rather than won respect by the way in which he had defended his inheritance in France his present cause, if looked at from the point of view of Church and nation and not from that of the royal prerogative alone, was a bad one. The interdict was a much dreaded penalty, suspending some of the most desired offices of religion, and, while not certainly dooming all the dying to be lost in the world to come, at least rendering their state to the pious mind somewhat doubtful; and, though the effect of the spiritual terrors of the Church had been a little weakened by their frequent use on slight occasions, the age was still far distant when they could be disregarded. We should expect John to prove as weak in the war with Innocent as he had in that with Philip, and at such a test to find his power crumbling without recovery. What we really find is a successful resistance kept up for years, almost without expressed opposition, a great body of the clergy reconciling themselves to the situation as best they could; a period during which the affairs of the state seem to go on as if nothing were out of order, the period of John's greatest tyranny, of almost unbridled power. And when he was forced to yield at last, it was to a foreign attack, to a foreign attack combined, it is true, with an opposition at home which had been long accumulating, but no one can say how long this opposition might have gone on accumulating before it would have grown strong enough to check the king of itself.
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